Magic bullet looks sony vegas how to#
Magic bullet looks sony vegas skin#
Magic bullet looks sony vegas software#
Magic bullet looks sony vegas professional#

I have found that less is more with these, so I will grade my footage to a general look, then apply a film negative stock of choice over the grade and bring its strength to sit around 40-50%. I have been playing with these lately and they really throw an organic look back into your footage similar to FilmConvert. The features don't stop there, however, as MBL has introduced its own 3D LUT application for pre-built LUT's, as well as the integration of your own imported cube files.Įqually powerful, MBL offers film negative strips that can be tweaked to your hearts desire. For a super-quick turn around, MBL offers 198 'Look' presets that will allow you to build a grade quickly.

Magic bullet looks sony vegas skin#

These features range from a collection of curves, shadow/highlight effects, 4-way coloring wheels, Colorista, Cosmo skin tuner and contrast adjusters. Diving into the tools, one will find a great wealth of features to apply (41 to be exact). If Magic Bullet Suite is an art supply chest of goodies, Magic Bullet Looks would certainly be a fine collection of acrylic paints and horse haired brushes. These features result in an organic experience that empowers the user to work quickly and efficiently.įeatures: The Finest Acrylic Paints And Brushes Additionally, you are able to zoom in on your footage and scan around as you start to introduce your grade. The great thing about MBL is it can either be a hands-on graphic experience, pulling and pushing effects with your mouse, or a very clinical one, altering the variables numerically via sliders and keystrokes.Īs you start to utilize this interface, you will find everything works quite fluidly, allowing you to tuck away menus that are no longer in use. All of your familiar scopes are present such as RGB parade, Slice Graph, Hue/ Sat / Lightness and Memory Colors.

With MBL, you are welcomed with your scopes to the left, your tools for applying to the right, your footage in the center and a tray below displaying your applied effects.

Magic bullet looks sony vegas software#

Nothing is more intimidating than opening a new piece of software and quickly becoming overwhelmed with the complexity of its layout. MBL has really a robust graphic interface at launch that feels familiar and intuitive. This is where MBL truly shines and saves you a significant amount of time in postproduction. This program offers strong toolsets to draw the look from your footage, but also requires additional steps, since it is a standalone program. Programs like BMD's Resolve is a powerful agent that is designed for the working colorist. Now, to a working professional, time is money. With MBL you are able to apply the 'effect' to your footage or adjustment layer and then open the 'effect' to start your coloring process. Magic Bullet Looks, or MBL for short, is an application/plug-in of the Magic Bullet Suites package that is designed to streamline your coloring process through your NLE of choice.

To better understand why this software has become so important, let's take an in depth look at what Magic Bullet Looks has to offer. For me, it has become an integral part of my workflow and has really democratized the process of color.

Magic bullet looks sony vegas professional#

I am by no means a professional colorist, but I have been using Red Giant's Magic Bullet Looks for a couple of years now. Coloring takes a critical eye, a taste for subtlety and, at times, a stylistic flare. Harnessing the power of color is no easy task. Until you really start to experiment with color, you can't begin to understand the power it has over your imagery.

Magic bullet looks sony vegas how to#

I initially had no true knowledge of the impacts of color or how to manipulate it. To some, including myself, color is the last thing on your plate when you start working commercially. Our responsibility to understand color and its application are paramount to successful projects. This amalgamation of positions has come about partially from a budgetary standpoint to stay competitive, but also from advances in computer technology.įilmmakers are now are required to know a little of every role in order to turn around our content in a manageable fashion. What was once five jobs has now become one increasingly, a filmmaker must perform the roles of the camera op, the director, the sound technician, the editor and the colorist on the same production.

As filmmakers, we are gradually moving away from dedicated positions within our industry. Coloring footage has become so important to telling our stories because it has a profound impact on the human psyche. Color can alter our perceptions of a scene and set the mood for our audiences. In the first of a two-part series, RedShark News Contributor Kevin Luiz explores the current incarnation of Red Giant's popular Magic Bullet Looks, the colour-grading centerpiece of the Magic Bullet Suite.Ĭolor is a subjective experience. Magic Bullet Suite Review, Part One: Magic Bullet Looks